Photography

Rembrandt vs Loop Lighting: The Four Classic Portrait Patterns

By Photography editorial team · Updated

Rembrandt and loop lighting are two of four classic portrait patterns, and they differ mainly in where you place the light. In both, one light sits to the side and a bit above the face. In loop lighting, the light is angled 30 to 45 degrees off the camera axis, so the nose casts a small shadow that "loops" toward the cheek without touching the cheek shadow. In Rembrandt lighting, the light is moved farther around, and the shadows join to form a small triangle of light on the shadow-side cheek. Learn all four patterns and you can repeat a look on purpose instead of lighting faces at random.

The four patterns

PatternLight positionWhat you seeMood
ButterflyDirectly in front, above, pointed downSmall shadow below the noseGlamorous, even
Loop30 to 45 degrees off-axisNose shadow angled toward the cheekNatural, flattering
RembrandtFarther around and higherTriangle of light on the shadow cheekDramatic, classic
SplitAbout 90 degrees to the sideHalf the face lit, half in shadowMoody, intense

How to set up each one

You only need one light source. A window, a lamp or a single flash will do. A reflector or a white card on the shadow side is optional.

  1. Butterfly: put the light directly in front of the face and above it, pointed downward. A small butterfly-shaped shadow forms under the nose.
  2. Loop: move the light 30 to 45 degrees to one side. The nose shadow tilts toward the cheek. Stop before it touches the cheek shadow.
  3. Rembrandt: move the light farther around and raise it, until a small triangle of light appears on the cheek that is turned away from the light.
  4. Split: move the light to 90 degrees, so it lights exactly half the face. Add fill if the shadow side is too dark.

Turn the subject, not the light, for quick changes. If you have a lamp on a table, you can go from butterfly to split just by asking the person to rotate.

Getting the Rembrandt triangle right

The triangle is the signature of the pattern. A good one is about as wide as the eye and no longer than the nose. If you do not see one:

Camera settings to start from

A starting point from the pattern card: manual mode, f/5.6, 1/200s, ISO 100, single-point AF-S on the nearest eye. If you are shooting by window light and the room is dim, open the aperture or raise ISO, and keep the shutter at a safe handheld speed. For more on the aperture choice, see what aperture is, and keep the camera settings cheat sheet nearby for the basics.

Which pattern for which job?

GoalTryWhy
A flattering everyday portraitLoopGentle shadows that suit most faces
A polished, even lookButterflyLight falls evenly across the face
A classic, painterly lookRembrandtStrong shape and a sense of depth
A moody or serious moodSplitHigh contrast with half the face in shadow
Soften the shadow sideAny pattern plus a reflectorBounces light back into the dark cheek

If you are ever unsure, start with loop. It is easy to place, it hides little, and a step toward Rembrandt is a small move of the light or the face.

Common mistakes

Practice in ten minutes

Sit a friend near a window or a single lamp in a dim room. Rotate them through all four patterns, name each one aloud, and take a photo of each. Compare. You will learn to recognize the patterns in other people's photos too.

Use natural light

You do not need studio gear. Window light behaves like a large soft light source, and the sun at golden hour does the same outside. The golden hour guide explains when the light is at its best, and the silhouette photography guide shows what happens when the light is behind your subject instead of beside them.

What ShotCraft Field Cards covers, and what it does not

The main ShotCraft set includes cards on Light Direction Shapes Your Subject, Window Light, Natural-Light Portrait, Easy Posing and Backlight and Rim Light, so you can get a good portrait with the basics. It comes with 44 cards, printable at A5 or US Letter.

Grid of field cards for exposure, focus, light, composition and people, each with ISO, shutter and aperture settings

The four-pattern card used in this article, Four Classic Lighting Patterns, belongs to the separate Portrait Pro Pack, a paid add-on that is offered after your order and is not part of the main set. It also covers focal length for portraits, bokeh, open shade, reflectors, one-flash off-camera setups, high key and low key, posing hands and jawline, and a portrait session checklist. You can use this article on its own, with a window and a friend, without buying anything beyond the main set.

Frequently asked questions

What is the difference between Rembrandt and loop lighting?

Both use a light placed off to one side and slightly above the face. In loop lighting the nose shadow loops toward the cheek without touching it. In Rembrandt lighting the light is moved farther around so the shadow joins the cheek shadow and forms a small triangle of light under the eye on the shadow side.

How big should the Rembrandt triangle be?

Roughly as wide as the eye and no longer than the nose. If no triangle appears, raise the light or turn the face a bit more toward the shadow side.

Do I need a flash or studio light for these patterns?

No. A window or a single lamp is enough. Turn your subject, not the light, to switch from one pattern to another quickly.

Which pattern suits most faces?

Loop is a common general-purpose choice because it is flattering and easy to set up. Rembrandt adds drama, and split lighting is best saved for a moody effect.